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REVIEW: Alexandria…Why?

15 September '23

Film is an escape for Yehia, an artistic practice where he can pour his passion. His friends may focus on romantic entanglements and going to parties, but he has a different path. Although his middle class family expects him to pursue a more traditional career, he has an undeniable gift for acting and performing. While war closes in around him, he is determined to make his way to the United States - increasingly against the odds.

Join our team! Office Manager (Part time)

12 September '23

The Arab British Centre is pleased to offer an exciting opportunity for an experienced office administrator to work for a dynamic cultural charity and contribute to its strategic direction.  

Arab films at the BFI London Film Festival 2023

01 September '23

The BFI London Film Festival runs from 4 to 15 October 2023 at venues in London, around the UK and on BFI Player. We wanted to make your life easier, so below you'll find the full listings of all Arab films screening this year.

REVIEW: Freedom Fields at the Garden Cinema

25 August '23

Freedom Fields is a timely rewatch. Fadwa’s determination to speak out against the Libyan FA and inspire others reflects on that of the Spanish players who sat out of the FIFA World Cup this year.

Books to read this summer

11 August '23

In collaboration with Saqi Books, we've put together a list of titles we think you'll love to read this summer. 

Untold stories of Arabs in Victorian Britain

04 August '23

As we continue to read history between the lines, we can pave the way for a deeper understanding of the role played by our communities in shaping the landscape of British history.

REVIEW: Wild Thorns

24 July '23

A hugely important novel in demonstrating oft ignored realities, Khalifeh’s Wild Thorns is essential reading for those seeking a greater understanding of the pure humanity in Palestine, and the depth and breadth of experience in the nation today.

REVIEW: Iraq’s Invisible Beauty

24 July '23

Themes of progress and regression, humankind’s power to create and destroy, and the contrast between urban and rural weave a loving, but honest, portrait of Iraq as only someone who truly knows it could paint.